Marvel Zombies Issue #1

Marvel Zombies Issue 1Marvel Zombies issue #1 was surprisingly pretty boring.

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It wasn’t the most boring thing I’ve ever read or watched about zombies but there sure was a lot of chatting for a superhero-zombie mash up.

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The issue was mostly chatting actually.

All the zombie superheroes literally just sit around discussing their zombiehood: what it means for their powers, how it impacts the world, how they might survive, who else might have survived. For pages, they just casually converse with almost the exact same personalities and intellect that they’ve been known for. They might be slightly dumber and extremely hungry. That’s also a big conversation subject; everyone is so very hungry all the time.

The thing is, due to their intellect and the casual way they go on and on about their hunger, they come across and whiney and lazy. Continue reading “Marvel Zombies Issue #1”

Post-Apocalyptic Graphic Novel (Comic): Sweet Tooth Vol. 1

Sweet Tooth, by Jeff Lemire (both art and story!), is an apocalyptic comic that benefits from being both familiar and unusual. The concepts, on the surface, allow for a easy suspension of disbelief while the details will keep readers enthralled.

Seven years ago a sickness struck the world down. If you weren’t sick, you would be eventually.

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The children would have been the hope of the future, since all the children are immune to the sickness. Unfortunately, every child born since the sickness was boron a human-animal hybrid.

Sweet Tooth stars Gus, a nine-year-old boy –with deer antlers growing out of his head–, who has been raised by his religious and paranoid father in a cabin in the woods ever since the whole world got sick and the only children born were part animal.

Early in the comic, Gus loses his father to either sickness or old age. Shortly after going out to burry the old man, Gus gets himself either rescued (or hoodwinked) by a badass loner named Jepperd. Jepperd promises to take Gus to “The Preserve,” where kids like Gus (human animal hybrids) are safe. Having only ever learned what his father taught him about people and the world, Gus is native but not stupid. He’s had almost no interaction with others but still manages to be kind without losing his instinct for self preservation.

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Sweet Tooth manages to create a humor-violence-emotion hybrid. Each character is dimensional, reasonable, and interesting.

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Without saying too much, appearing too hokey, or over developed everyone is still fleshed out enough to be fresh and charming in their own, sometimes sadistic, ways.

I totally recommend this series.

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But, just in case my enthusiasm isn’t convincing enough, you can read this free preview of issue #1 (Volume 1 is a compilation of issue #1 through #5).