A Boy and His Dog is one of my favorite movies with its cheeky mix of post-apocalyptic wasteland violence and 70’s… not to mention a “talking” dog. It’s not clear if the dog is actually talking, telepathically communicating with the boy, or if the boy is just imagining it. I’m pretty sure the dog is telepathic and chooses to only speak to the boy.
In the post-apocalyptic future of 2024, Vic and his telepathic dog, Blood, roam the wastelands hunting for food, water and females. When Vic is lured underground by a young girl, he finds himself separated from Blood and trapped in the anachronistic society of Topeka. The Leader tells Vic he is going to be the father of a new generation, but Vic soon learns instead of hooking him up with women, the Topekans are planning to hook him up to a machine. Meanwhile Blood is above ground waiting for his human partner to return and save him from dying.
The cycle begins with “Eggsucker,” which chronicles the early years of the association between fourteen‑year‑old loner Vic and his brilliant, telepathic dog. The saga continues and expands in “A Boy and His Dog,” in which Blood shows just how much smarter he is than Vic, and Vic shows how loyal he can be. The story continues in “Run, Spot, Run,” the first part of Ellison’s promised novel of the cycle, Blood’s a Rover. Here Vic and Blood find surprising new ways to get into trouble—but getting out of it may be beyond even their combined talents.
the past six months or so, I’ve realized something about myself: I hate drama. Not drama in movies or books or anything like that, but real-life drama. The kind with gossiping, rumor-mongering, backstabbing, that sort of thing. Now, I’m not saying that I’ve experienced those things in the past six months, but there’s been, well, drama. And some serious real-life flouncing. (Aside: I didn’t actually think people could flounce in real life, but it turns out they CAN.)