Review: Hawken: Genesis (Archaia)

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Hawken: Genesis (Archaia)answers the question “What’s my motivation?” for payers of Hawken the game.

Hawken by Adhesive Games and Meteor Entertainment is part Total Recall, in that it’s set in a ruined dystopian planet; part my desperate hopes for what Pacific Rim will be, a ridiculous mecha battle royal; and part Gundam where everyone is fighting for or against a team but no one is really right.

But then Hawken: Genesis adds in a heaping helping of Top Gun.

It sounds like chaos on the surface but it’s actually a brilliant premise.

Everyone fled Earth for a brighter future on Illal but their hopes overwhelmed the new planet, destroying it faster than they destroyed Earth. Unfortunately for the poor planet, devastation isn’t enough and they’ve found one more resource to pry from the corps of their new home.

Already in the midst of an inter-corporation world war the citizens now have reason to stay and fight too. Not for honor or freedom but for their own slice of the pie. That is why they came after all.

From the jump, “the Hawken” is mentioned in a laundry list of terrible things that shouldn’t have happened, terrible things that ruined a once optimistic planet. I’m not clear what it is though… But I am curious.

I’m always drawn to a good premise, a well thought out backstory make most things that much more wonderful for me. And when I read the Hawken: Genesis issues put out by Archaia Black Label for the franchise, I was blown away.

Continue reading “Review: Hawken: Genesis (Archaia)”

The New Post-Apocalypse Category on comiXology

I’m a fan of comiXology. I like the convince and selection and sales.

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Sure you don’t own your comics but when you’re a packrat like I am, that’s not really a con.

So all this is to say, comiXology now has some new categories to help find comics you’re interested in. Among these categories is Post-Apocalypse, which features our beloved Jericho, the ever amazing Tank Girl, and Zombies vs. Robots.

The selection is a bit meager right now, but hopefully it’ll expand now that people realize the world will keep turning and they should keep producing new things.

In the face of an apocalypse, though not a Mayan one, learning to live with less is essential. I was doing my Holiday shopping and obviously wanted to pick up a few things for myself when I came across a sale at Newbury Comics: Buy two graphic novels get a third free.

I was geeked… until I started thinking about what I was going to do with three more books. I’d read them, of course. But then what? Where would I put them? Were any of them so beautiful that I wanted them around just to look at?

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So amazing that I wanted them on hand just to share with curious friends?

Meh. Not really.

I like being able to flip through them in the store but the novelty of paper has worn off for me. I collect First Issues and some arcs  but for sheer consumption?

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Digital.

Also, everything is cheaper on the internet.

Book review: The Last Donut Shop of the Apocalypse

The Last Donut Shop of the Apocalypse by Nina Post

Publisher: Curiosity Quills Press

Note: I received a copy of this book from the publisher.

Amazon blurb:

As Pothole City races to rebuild, a bounty hunter-turned-building manager must find a missing Cluck Snack executive, settle a bitter dispute between warring donut shops, and foil yet another plot that threatens to eradicate the single-purpose angels.
After narrowly preventing the last apocalypse, Kelly Driscoll finds herself with an unlikely day job. She’s the interim manager of Amenity Tower, one of the few buildings still left standing in the rubble of Pothole City. But after answering a mysterious phone call, she signs up for a new mission that’s a perfect match for her skills: locating the missing president of the famed Cluck Snack brand.

As Kelly quickly learns, the missing executive is only the beginning of Pothole City’s problems. The city’s leading donut shops — run by two very different Gorgon monster siblings — are engaged in a bitter territorial dispute. Plus, the residents of Kelly’s building have hatched a new plot to kill the beloved single-purpose angels and set the stage for another apocalypse.

Teaming up again with her allies from the first book — including Af the Angel of Destruction, Stringfellow the ferret, and Tubiel and the other single-purpose angels — Kelly is up for the challenge. But can she rescue the missing president and restore peace between the donut shops before Pothole City is destroyed yet again?

Continue reading “Book review: The Last Donut Shop of the Apocalypse”

Book review: Existence by David Brin

Existence book cover

Existence by David Brin

Release date: June 2012

Publisher: Tor

Note: I received a copy of this book from the publisher.

Amazon blurb:

Bestselling, award-winning futurist David Brin returns to globe-spanning, high concept SF with Existence. 

Gerald Livingston is an orbital garbage collector. For a hundred years, people have been abandoning things in space, and someone has to clean it up. But there’s something spinning a little bit higher than he expects, something that isn’t on the decades’ old orbital maps. An hour after he grabs it and brings it in, rumors fill Earth’s infomesh about an “alien artifact.

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” 

Thrown into the maelstrom of worldwide shared experience, the Artifact is a game-changer. A message in a bottle; an alien capsule that wants to communicate.

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The world reacts as humans always do: with fear and hope and selfishness and love and violence. And insatiable curiosity.

Continue reading “Book review: Existence by David Brin”

The Last of Us Comic by Dark Horse

Dark Horse announced that they will be releasing the obligatory pre-release comic for the upcoming video game The Last of Us.

Naughty Dog, who brought us the Uncharted series, is known for not only innovative gameplay but also  captivating storytelling.

The demo of the Last of Us that was shown at PAX this fall gave us a glimpse of what promises to be an expansive world in terms of scenery and characters. Even the NPCs clearly had motives aside from being violent obstacles.

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Dark Horse is the perfect publisher for the comic book team-up with Naughty Dog as they’re the publisher known for stories. Their lineup is not the normal superhero fare, featuring the likes of Tom Morello‘s post-apocalyptic Orchid, the Mass Effect comics, and Umbrella Academy.

There is no form to adhere to just a story to tell and a trained eye fro ensuring quality in the medium it’s told in.

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I’m so excited for Ellie’s back story and this new, influential character.

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Check out the press release for details:

The most anticipated video game of 2013, The Last of Us, comes to print with a comic series and an art book from Dark Horse Comics and Naughty Dog!

The Last of Us: American Dreams will be a four-issue series by TheLast of Us lead writer Neil Druckmann, with rising star Faith Erin Hicks (Zombies CallingFriends with BoysThe Adventures of Superhero Girl) as cowriter and artist.

Ellie, the heroine of The Last of Us, has grown up in a postpandemic world, shuttled between military orphanages in one of the last remaining quarantine zones and resigned to the fact that when she’s old enough, she’ll be channeled into the army or left to fend for herself—until she meets an older girl determined to find a third way out.American Dreams explores Ellie’s backstory and her first steps on the road that led her to her companion Joel.

The first issue of The Last of Us: American Dreams will appear in the spring of 2013.

The Art of The Last of Us, a deluxe hardcover exploring the characters, the infected humans, and the intricately realized world of the game, will launch in conjunction with the release of the game.

[More about The Last of Us]

Broxo by Zack Giallongo

In this wildly entertaining fantasy debut we meet Broxo, the only surviving member of a tribe of barbarians who once occupied a now-desolate mountain. All alone in the world, Broxo spends his time on the mountain hunting and avoiding the man-eating walking dead that periodically drag themselves out of a fetid lake.

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Everything changes when Zora, a foreign princess, arrives on the mountain seeking Broxo’s lost tribe. Can the two young warriors together defeat the living dead?
 
With accessible and beautiful art, killer fight scenes, and a story that mixes humor, romance, and classic high fantasy, Broxo is a tale you’re sure to enoy.
Broxo [1. provided free by First Second] is a fun, easy read for slightly older children. With just enough romance and horror to keep things interesting, and some absolutely wonderful art, it’s a must-own for anyone who like their children to read.

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It uses the standard epic fantasy tropes with a light touch and a knowing attitude, and the message in it seems to prize bravery, familial love and honour, which are all good things. It can be pretty bloody, though, and has some really quite effective moments of horror, so if your children are very sensitive to these things it might be best to read it with them.

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There are some genuine tear-jerkers within the narrative as well.

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I’d have loved this as a child – hell, I loved it as an adult! Well worth grabbing.
[Rating:4/5]
NON-BOOK REVIEW THINGS: If you want to win a copy of This is the New Plan by John Xero, there’s still just enough time. Just pop yourself over to the contest details and enter.

Review: Dinocalypse Now by Chuck Wendig

Dinocalypse Now  is the first book in The Dinocalypse Trilogy – Evil Hat’s first move into fiction, written by Chuck Wendig, and set in the wild-and-crazy early-20th-Century pulp universe of Spirit of the Century. In it we follow the adventures of six heroes, Centurions of the Century Club (including one talking ape!), as they take on a world-spanning invasion of psychic dinosaurs from beyond time itself. [1. Review copy provided by Evil Hat]

YES. YES YES PLEASE FUCK GOD YES.

Oh I am so bored of Zombies and Guns and something this crazy is JUST WHAT I NEED RIGHT NOW.

It doesn’t hurt that I’ve long been a fan of Chuck Wendig – his writing advice is brilliant, and his novel Blackbirds is one of the best I’ve read this year – and I’ve played a few Spirit of the Century games too – that whole alternative past with fantasy elements thing is MY thing.

Dinocalypse Now manages to completely avoid ALL of the problems I talked about in this post. It features interesting, unique characters who seem like real people, a breakneck, unusual plot – I actually cannot fangirl about it enough, so…

Let’s start from the beginning.

Dinocalypse Now is a book that is almost impossible to describe. If you try, it sounds like a mess… but it works. Oh, it works.

In Dinocalypse Now, the Centurions are the heroes of the Century club, a group of protectors. While trying to protect the president, they are attacked by Saurians… and from there the plot takes off with ridiculous speed. There are so many fantasic things about this book that would be spoilers if I explained them.  But suffice it to say the events grab the reader and take them away on a journey that would seem ridiculous if I explained it, but seems believable as well as fun when you’re reading it.

The writing in Dinocalypse Now is sharp and competent and descriptive, the characters well sketched and believable, and the whole thing is a wild ride of awesomeness. It’s sheer pulp, with airships and dinosaurs and talking apes and beautiful wench wrenches and love triangles and… and… and.

It’s a quick read, which I know is important for some of you (though myself I prefer a slightly more leisurely pace – that would be my only real criticism here).

Look, I find it really hard to review stuff I genuinely love. Is Dinocalypse Now great literature? No. Is it hella fun? Yes! Is it perfect? No. Is it utterly readable? Yes! Is it for everyone? Almost certainly not. But I love it. And if you like ridiculous, cracky plots, excellent characters, sharp writing, and a well-captured pulp sensibility, you’ll love it.

I look forward to the others.

You can buy it here.

I give it [4/5 stars]

Apocalyptic Literature: What I want to see.

Because of ICoS I now read more apocalypse-related books than ever before. I buy them with my own money AND get them sent free for review, and then I tell you about them, whether they’re good or bad. Hell, some of the books I write are apocalypse-related. So, after more than a year of reading about the apocalypse, I have a list of things I want to see  more of in future apocalyptic literature.

Better Writing:

It’s not that the writing in these books is bad. It’s usually perfectly competent. But it could be more powerful, more evocative – just more – with harsher editing. If you’re writing apocalyptic literature (especially if you’re going the self-publishing route) I’d recommend two books which will help you get it as good as possible. The Elements of Style and Self-Editing for Fiction Writers. You should pick up Chuck Wendig’s books as well, but they’re less about editing and more about kicking your arse to get writing your crap, already, so that one is up to you. But the other two? Please, just do it. I’ve read loads of books with really interesting stories let down by poor editing.

Better female characters:

Most of the apocalyptic literature I’ve read was by men. The problem was, a great many of their female characters were cliches – irritating, insulting cliches at that. Remember that women are human beings rather than a collection of stereotypes. I don’t mind if one woman in your story is useless, but I start getting suspicious if she’s the only character that is, and then I’m outright judging you if ALL your women are useless. When I say ‘Better’ I mean I believe in her as a human being. Having her display some personality traits other than ‘screaming chick who needs to be rescued’ would be great. I sincerely doubt that post-apocalypse we would have time or room for ‘traditional gender roles’ anyway. While we’re at it, can we stop writing it so that even the good guys are enacting forced breeding? It’s rape, it’s skeevy and the good guys shouldn’t be forcing HUMAN BEINGS into a position where they are being abused and brutalised.

Better characters IN GENERAL.

While I find believable, relatable female characters are few and far between in apocalyptic literature, I also find that in nearly every book I’ve read the same character archetypes pop up. The grizzled, damaged war veteran. The girl who’s only a bitch cause she was raped.

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The creeper who betrays the group. Look, character archetypes exist for a reason, but if I can predict what your characters will do within the first 10 pages, it’s BAD. Do something new with them, something unexpected. Make the war veteran a perky, cheerful man with no dark past.

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Make the creeper loyal and caring, just socially awkward. Make the woman a bitch because she’s figured out that being bitchy gets stuff done. Stop relying on old, well-worn paths. Make your own.

More imagination and ingenuity:

By which I mean – write something different! There are no new stories under the sun, but there is a trick to this – write it in such a way that seems new. Add something, take something away, I don’t care what it is, but just write something different. The books are starting to blend in together now, because they’re all so similar.  The main reason I’m getting bored of zombies is that not only are they everywhere, but they’re the same bloody thing in each book. CHANGE SOMETHING. Write as though you’re setting a new standard and starting a new trend. Please? For example, check this out:  Dinocalypse Now. It’s apocalyptic literature, but it avoids the tired old tropes and boring setting, and it looks loads more fun.

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Actual Research:

How would the area you’re writing in respond to an apocalyptic event? Desert, jungle, overgrown woods? Research it. How many bullets can that gun fire without jamming? If it’s been uncared for for 18 months? Research it. What does a nuclear bomb do? RE-FUCKING-SEARCH IT. If you get it wrong, people who KNOW that you got it wrong will be pulled out of your story immediately. Sure, it’s fiction. But fiction needs to seem as if it’s real to the readers, and if you get it wrong… For my current novel (which is terrible and will never get published because MY GOD) I am researching radios. My girl is a ham radio enthusiast, so I need to know at least the basics of the different types, how they work, how you’d fix one. If you’re writing a novel – even one based in a world where everything has changed – and there’s a siege, you need to research seige warfare. RESEARCH.

Bottom line: This is writing. It’s not a thing you should do because you think it’s easy money or fame (it’s really not). It’s not something you can just churn out and have it be OK. It’s something you do because the love of it means it’s the only thing you CAN do. Which means you need to do the best you can, write the best, most amazing thing you’re capable of. Don’t be scared, or small, or dull with it.

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Get down right into the filthy guts of it all, and be incredible.

Please, I’m begging you.

What do our readers want to see from post apocalyptic literature in future? Talk about it in the comments.

If you have something tasty and apocalyptic that you’d like reviewed, we’re always happy to do it. If your book fits these guidelines, you’ll get a much more positive review than if it doesn’t. Just email anninyn at incaseofsurvival dot com and I’ll get back to you.

Review: Orchid Volume 1 (Dark Horse)

When I first heard about Orchid (blurb and facts are down below), the brain child of Rage Against The Machine‘s Tom Morello, I had low expectations. Admittedly, I thought he was already skilled in one area, music, what were the chances he would be skilled in another completely unrelated one, comics.

I’d read interviews and press releases that made me think Orchid would be a heavy-handed political and social diatribe vilifying politicians and the rich and babying the rest of us, barely held together with pictures– pretty much a Chick Tract for social revolution.

When I finally got my hands and eyes on Orchid Volume 1[1. A copy of this title was provided for review by Dark Horse Comics.] I found myself wrapped up in a fast-paced action-adventure starring the quirky and blindly optimistic nerd, Simon, and the surly whore, Orchid, with nothing and everything to lose.

Volume one, covering issues 1-5, is a proper set up of the characters and why we should care about them. This post-apocalyptic world is vast, feeling vaster than the current world at times.

The first couple issues start with historical exposition set over elaborate, intricate scenes. I was reading on my kindle fire and often found myself zooming in to see what all was going on. Tom Morello (writer) and Scott Hepburn (artist) brought this somewhat over done setting new life. From fascinating creatures roaming the wild to the concept of people spending generations on “the derelict barges,” it all felt fresh and exciting.

But once the characters took center-stage it was hard to notice much else– though the art stays well done throughout– with the snappy dialogue and constant progress.

Orchid, Simon, and The Mask (this is an actual, literal mask but with so much legend and power it is pretty much a character in its own right) face more than their fair share of foes and near misses. At some points the adventuring hits a lull and I realized this is seriously heavy, seriously sad, and just generally serious.

That’s one of the greatest things about Orchid; it takes the path of children’s stories and parables, the lesson and the story work so well together that I didn’t realize I was being taught.

I was attached to the story and the characters and the world as not only a fantastic place but also the home of these people who deserved better. Before I knew it, after experiencing their world, watching their struggles, triumphs, and failures, and even getting a glimpse at the antagonists, I’d joined their revolution.

Almost every character — the exception being some villains who do seem to be more symbolic power hoarders than individuals– is fleshed out with a back story, from being a simple bridge folk whore to a nerd who wouldn’t be so out of place elsewhere where he was a slave specially trained because of his aptitude[2. I thought Simon was a time traveler when he was first introduced, until his manner of being was explained away sufficiently enough to re-suspend my disbelief].

You’ll be hard pressed to read Orchid and not to be moved or inspired on some level. Maybe simply by Simon’s unwavering courage and idealism, maybe by Orchid as a strong woman, or even by one of the “villains[3. Issue #5 SPOILER: I’m not willing to call Don Barrabas an actual villain so much as a survivor/victim/pawn who aligned with a man, Tomo Wolfe, willing to do right by him to accomplish much greater wrongs.]” who was somewhat of an ugly duckling (if the ugly duckling turned out to be a duck hunter-chef).

Sure, you might not feel you’re now expertly educated about class warfare or moved to “damn the man, save the empire.” But I can definitely say through Tom Morello telling Orchid’s story I felt heard, and seen, and important as a woman, and a person of color, and a nobody with no power or clout. Generally, as a person with things that can be or have been used to marginalize me. In Orchid, all those things that they use against us were the building blocks to make powerful characters, powerful ideas.

At the end of most comics the writer includes a short essay about their thoughts on the work. While I don’t really I care about nearly any issues, including class, in the real world, the passion Tom Morello shows for this project and this message is the kind of passion that can only create great things.

I’ve always been drawn to epic tales. Beowulf, Lord of the Rings, Star Wars. But for me, there was always something missing. I could never entirely get behind the goal. “C’mon, subjects! Let’s get the king back on the throne!” Or “To arms, vassals! Let’s return the princess to glory!” In my book, kings and princesses are the bad guys. But what was really missing from these epic tales was the unspoken but ever present dirty five-letter word: CLASS. Who rules and why? Who has a lot and who has nothing? And why the hell doesn’t somebody do something about it?! In Orchid the cool monsters, the narrow escapes, and epic battles are front and center, but somebody finally does something about the remorseless inequality that mirrors our own world. And that somebody is Orchid.

Orchid is successful as something new and different, something intriguing and engaging, and something worth reading.

I’d stand up to The Hangman for it.

[rating:5/5]

 

The facts about Orchid Volume 1 direct from Dark Horse:

When the seas rose, genetic codes were smashed. Human settlements are ringed by a dense wilderness from which ferocious new animal species prey on the helpless. The high ground belongs to the rich and powerful that overlook swampland shantytowns from their fortress-like cities. Iron-fisted rule ensures order and allows the wealthy to harvest the poor as slaves.

Delve into the first chapter of Orchid, the tale of a teenage prostitute who learns that she is more than the role society has imposed upon her.

CREATORS

Writer: Tom Morello
Artist: Scott Hepburn
Colorist: Dan Jackson
Cover Artist: Massimo Carnevale

Genre: Action/Adventure

Publication Date: July 11, 2012
Format: FC, 112 pages; TP, 7″ x 10″
Price: $17.99
Age range: 14
ISBN-10: 1-59582-965-2
ISBN-13: 978-1-59582-965-8

 

Review: War against the Walking Dead – By Sean T Page.

More than 63% of people now believe that there will be a global zombie apocalypse before 2050…

So, you’ve got your survival guide, you’ve lived through the first chaotic months of the crisis, what next?

Employing real science and pioneering field work, War against the Walking Dead provides a complete blueprint for taking back your country from the rotting clutches of the dead after a zombie apocalypse. 

* Arm yourself with the latest scientific insight from the world’s leading zombiologists including startling new analysis on why survivors must fight back within the first years of the crisis or risk being crushed by unstoppable ‘meta-hordes’ of the walking dead.

* A glimpse inside the mind of the zombie using a team of top psychics – what do the walking dead think about? What lessons can we learn to help us defeat this pervading menace?

* Detailed guidelines on how to galvanise a band of scared survivors into a fighting force capable of defeating the zombies and dealing with emerging groups such as end of the world cults, raiders and even cannibals!

* A strategic plan on how to deploy anti-zombie forces including training your new militia, creating fleets of foraging ships and a microlight air force.

* Features insights from real zombie fighting organisations across the world, from America to the Philippines, Australia to China – the experts offer advice in every aspect of fighting the walking dead.

Packed with crucial zombie war information and advice, from how to build a city of the living in a land of the dead to tactics on how to use a survivor army to liberate your country from the zombies – War against the Walking Dead may be humanity’s last chance.

Remember, dying is not an option !

There are a lot of zombie survival guides out there these days. It seems I can’t go into a bookshop without seeing one – so how is the zombie preparer supposed to make a choice? Apart from the classics, where are they to turn, and what makes one zombie manual better than another? What should make you buy War against The Walking Dead? [1. provided for free by Severed Press. The author also attempted blatant bribery and corruption by including some cool rubber bracelets in the package. For future reference, I’ll take cash.]

Well, this one is a bit special, for one main reason.

Instead of covering the immediate aftermath of a zombie assault, as so many guides do, it focusses on the destruction of the zombie plague and the rebuilding of society. With sections on how to organise a community, trap and kill large numbers of the living dead, and how best to rebuild communities after the end it concentrates on an area we at ICoS find sadly under-represented in the survivalist world. Most survival guides concentrate on immediate survival, which is all well and good, but what about long term? What about rebuilding?

This is where War Against the Walking Dead comes in. With in depth coverage of how best to survive zombie assaults both small and large, the pros and cons of various survival compounds, and how to build a fighting force out of scared, hungry refugees, it really is an excellent resource. If this decently-sized tome hasn’t been enough for you, it includes lists of other websites and books to help you with your rebuilding plans (though we’re not on it. I DEMAND AN EDITED REPRINT.). Definitely worth the purchase price, and unlike many books of a similar kind, it is attractive as well.

In terms of the writing, it is very readable and informative, and in places very funny. There are flaws, of course, but the day a book without flaws is written is that day the world of writing and publishing collapses in on itself. In places the sentences can run on, and the writing can be clumsy. There are minor errors in grammar which, while they don’t ruin the book, had the misfortune to include some of my pet hates (the use of commas where – : or ; would be more appropriate), but if you aren’t the sort of person who ignores their own grammatical errors to concentrate on a little known grammar guideline, you’ll probably ignore it just fine – and ultimately, the occasional clunkiness doesn’t detract from the book at all.

Of most interest to ICoS readers – even the non-zombie kind – will be the sections on rebuilding and battle techniques – these were based on real techniques through the ages, and could be useful in any apocalypse – so any serious post-apocalyptic survivalist could do with this on their shelves.

Overall, an excellent zombie survival guide. Minor flaws knock 1 star off.

Rating: 4/5

As well as buying his book, you can talk to Sean on his website, The Ministry of Zombies.