Community Inc. is a video game that would fit in a crossroads of genres.
Those genres that Community Inc. bridges are hard to define though they’re mostly exemplified by:
Black & White – a God Game Simulator with citizens to tend to and keep happy
Viva Piñata – a garden-based life simulator with a community of individuals who each offer something different and outsiders to protect from
Sid Meier’s Civilization – a turn-based strategy game centered on world domination via tile acquisition and resource leveling.
tinyBuild tried something different by taking aspects of different kinds of games and putting them into Community Inc. Afterall,Community Inc asks the player to create a whole, fully-functioning community – that they can then sell to new overlords.
The difficulty is that all these aspects are available and in the mix right from the start. Citizens’ happiness, resource planning, enemies, contracts, and more are all fighting for space on the player’s list of things to do. Continue reading “I tried to make a Community for fun and profit and everyone died [Community Inc.]”
LIFE is a dark movie about death. Violent and inevitable death.
Oh, the joys of living on The International Space Station (ISS) with people on earth trying to micromanage your every move but, at the same time, couldn’t help you find your toothbrush. These scientists are delighted to be living on the ISS answering the questions of elementary school children about where they shit.
XX is a horror anthology in four parts, all from female perspectives available on Netflix.
Mothers doing their best, Girls just trying to have fun, and Single Ladies looking for a little solidarity. In XX we get to see vignettes of everyday life going horribly wrong and getting darkly twisted.
Check out the trailer and then if you’re not convinced, check out my review of the parts and the whole of XX.
Summertime means longer days and more unstructured leisure time to do what you will with. Since scientists love to remind us that children get dumber over the summer months because they spend all their time riding their bikes in the street and stealing from convenience stores, schools love to assign Summer Reading Lists.
Summer Reading lists are great but they tend to be geared at children and highly filtered by “The Man.” Also, they always leave out graphic novels…
With that in mind, I’m going to generate my own! I have read all these books so don’t kick me in the junk if you hate them; they’re on the list of books I plan to read or think someone should plan to read.
Basically, I Hate Fairyland is the end of the world
Skottie Young has a way of infusing cute with crazy in a way that no one else can. While his artwork is well-known, I Hate Fairyland is a welcomed introduction to his writing and storytelling skills. Image Comics, the biggest indie publisher stays on brand by getting behind this title. I Hate Fairyland Volume 1: Madly Ever After by Skottie Young is the story of young Gertrude getting trapped in the magical Fairyland on a quest to get home. Unfortunately she is awful at quests and decades have passed forging once adorable and idealistic Gert in a foul-mouthed (as foul as the magic in Fairyland allows), sadistic, one woman (in the body of a child) Apocalypse carving her way through every delightful and dangerous neighborhood in the land to find the Key that will get her home.
She’s the only one of her kind, trapped in another world and forced to fend for herself – It may be just for one little girl, but it’s the end of the world.
Gert is assigned a little fairy guide named Larry who is 50% storage solution, 25% useless guide, and 25% link to the audience to help offer perspective. Continue reading “REVIEW – I Hate Fairyland Volume 1: Madly Ever After by Skottie Young”
Why am I watching Babylon A.D. (2008) in 2017? Because we just changed out cable plan from one scam to a new scam where we have ALL THE CHANNELS! I literally feel compelled to watch all the movies. It’s an urge I’ve only ever felt in times when my body wants to nap or my eyes see passed appetizers or deserts.
Upon seeing a Vin Diesel movie that was also about my favorite subject I squealed a bit then got comfortable.
In a post-apocalyptic wasteland, a battle-hardened mercenary, Toorop (Vin Diesel), lives by his own code and the credo kill or be killed. His latest assignment is to escort a young woman named Aurora (Mélanie Thierry) and her guardian, Sister Rebeka (Michelle Yeoh), from Kazakhstan to New York. Facing danger at each turn, Toorop begins to realize that Aurora represents the last hope for mankind’s survival.
In the first few minutes, Vin Diesel does his best Vin Diesel. He grumbles and smirks and explains to someone with a gun pointed at him that as one sided as this situation may seem, it won’t end well for the guy with the (presumed) upper hand. It’s at this point where you either commit to Vin Diesel in an Apocalyptic Wasteland: The Film or bail because you’ve already seen this movie but with cars or secret agents doing X-games sports.
I took a moment to count my blessings then hunkered down for Vin Diesel the mercenary in the not too distant future. His name is Toorop and for a long time, it’s neither clear nor important if that’s his first or last name.
Toorop is hired to transport a girl to America—a country he’s been barred from entering in (this movie is heavy-handed when it comes to exposition in dialogue). The girl is a weirdo who grew up in a remote convent isolated from the rest of the world with a lady-Monk as her guardian.
The Monk, like all Monks apparently, is skilled at hand to hand combat and unphased but everything and anything she encounters. The girl, on the other hand, seems to be a toddler in the body of a twenty-year-old. She literally wanders off every chance she gets, trusts strangers, and asks every single question that enters her mind.
At one point, it’s clear there are two factions who are fighting to get the girl away from Vin Diesel and company but not at all clear why. Also not clear is why Toorop doesn’t take the millions of dollars he’s offered to let someone else finish this job he was basically blackmailed and strong-armed into taking. Honor?
Babylon A.D. doesn’t quite explore the current landscape or how it became the way it is. The movie is a series of fight scenes, explosions, quick get-aways, sexy stares, and pseudo-religious references with a capitalist and futuristic twist. But if you saw the cover art you already knew that. Therefore, if you saw the cover art and pressed play, you will not be disappointed.
The Surge from Maximum Games and Focus Home Interactive has it all: A teaser that opens with a corporate spokesman explaining how their company is going to no only save the world but also the people- by MAKING THEM BETTER, glitchy feedback, space, robots, a desperation that can only lead to the most dangerous kind of progress.